早先北方的徐悲鸿、蒋兆和以西方古典写实主义绘画,改造中国笔墨开写实人物画之先河。继而南方浙派人物画旗手方增先,也在强调素描体面造型的基础上掺入了传统花卉的点染勾勒技法,成功表现了时代的工农兵形象,并风靡一时。 Xu Beihong, Jiang Zhao and Zhao Zhaoxu, who had previously been in the north, had taken precedence in painting with Western classical realism and renovating Chinese ink and wash with real Chinese portraits. In turn, the southern Zhejiang portrayal of flag-bearers, Fang Zengxian, emphasized the emphasis on sketch-based sketches and drew on the traditional techniques of flower blooming and sketching, successfully demonstrating the image of the workers, peasants and soldiers of the era and all the rage.