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清初画家王原祁在绘画思想中提出的“龙脉”之说,其在中国绘画史上影响深远。“龙脉”一词包涵的内容很多,最初起源于堪舆学术语,所以带有一些堪舆学的涵义,而当王原祁将“龙脉”这一概念借用于山水画时,它与堪舆学的这种关联逐渐被淡化和减弱了,更多的是从绘画本身的审美价值出发,涉及到画面全局的构图、笔墨的运用以及体现绘画作品中的整体气势效果等等。
In the early Qing Dynasty, the painter Wang Yuanqi put forward the idea of “Longmai” in the thought of painting, which has far-reaching influence on the history of Chinese painting. The term “Longmai” includes many contents and originally originated from geocentric terms, so it has some meaning of geomancy. When Wang Yuanqi used the concept of “Longmai” in landscape painting, This connection has gradually been diluted and weakened, more from the aesthetic value of the painting itself, which involves the composition of the overall picture, the use of ink and brush, as well as reflect the overall momentum of the painting works and so on.