作为小说家和艺术批评家的马尔罗认为音乐是最神奇的驱逐荒诞的力量,他将“写作的想象”比作音乐家谱写乐谱或者音乐演奏的过程。马尔罗小说创造了类似于音乐共鸣的结构和形式,其音乐性不仅体现在多声部人物思想之间的类似性和对立性,而且来自于文本不同部分之间的呼应和反响。音乐在其小说中扮演着“希望”的角色,而且“多声部”叙事结构使小说成为一种非常艺术和民主的文学形式,确保了作品的开放性和文本的寓意性。 Marlow, a novelist and art critic, sees music as the most magical ability to expel absurdity. He compares his “imagination of writing” to the process of writing music scores or musical performances by musicians. Malo novels create a structure and form similar to the resonance of music. The musicality is not only reflected in the similarities and oppositions between the polyphonic figures, but also from the echoes and repercussions between different parts of the text. Music plays the role of “hope ” in his novels, and “polyphonic ” narrative structure makes the novel a very artistic and democratic literary form, ensuring the openness of work and the moral meaning of the text.