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视点,作为导演的一种选择,它可以任意性使用。然而,在这看似任意性选择的背后,其实包含了导演自身对于整部影片的理解与阐释。一部影片,故事的好坏在于叙述,而叙述本身要依赖于电影化视点的选取。无论是选取单一视点、多视点,还是多重视点,对于它们之间的差异性或综合关系性,是需要导演认真来把握拿捏的,否则将直接影响到整部影片基调风格的定位,本文就此展开论述。
The point of view, as a director’s choice, can be used arbitrarily. However, behind this seemingly arbitrary choice, in fact, contains the director’s own understanding of the entire movie and interpretation. A movie, the story is good or bad narrative, and the narrative itself depends on the selection of the film’s point of view. Whether it is to select a single point of view, multi-viewpoints, or multiple points of view, for the differences between them or the comprehensive relationship between the directors need to carefully grasp, otherwise it will directly affect the positioning of the tone of the whole movie, this article expand on this Discussion.