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戚蓼生在《〈戚蓼生序本石头记〉序言》中对曹雪芹小说美学进行了中肯评价和理论发掘,将《石头记》推上了中国古典小说前所未有的美学巅峰。戚蓼生认识到了曹雪芹在小说美学方面的历史性创新,即人物性格乃至人性的多维性等问题;肯定了曹雪芹小说因“悲凉之雾,遍被华林”而震撼人心的美学价值;提出了文本解读的多向度、多维度问题;认为曹最善传递言外之意、弦外之音,达到了“一声也而两歌,一手也而二牍”的至高水准;达到了“淫佚贞静、悲戚欢愉”的高度融溶、浑然一体的审美境界。
Qi Polygonaceae was born in the preface to the Book of Genesis of Qi Polygonum, and made a pertinent evaluation and theoretical excavation of Cao Xueqin’s novel aesthetics, putting “Stone Record” on the unprecedented aesthetics peak in Chinese classical novels. Qi Polygamy recognized Cao Xueqin’s historic innovation in novel aesthetics, that is, the multi-dimensional nature of character and even human nature. He affirmed the aesthetic value of Cao Xueqin’s novels which shook the heart due to the mist of sadness and sadness, Multi-dimensional and multidimensional problems of text interpretation; that Cao is the best transcendental, extraterrestrial, reaching the highest standard of “one voice and two songs, one hand and two ears”; reached the goal of “obscenity and fetishism, grief and joy” The high degree of melting, seamless aesthetic standards.